Thursday, April 22, 2010

What's In The Dark Chocolate Chex Mix

NO INCINERATOR TO WORK - BACK TO THE INCINERATOR PROTEST

PARTICIPATE:
OXXXA CONCERT IN DIEGO
Parassole
SIMONE Frulio
together to say NO INCINERATOR TO WORK!

Sunday, April 11, 2010

How To Sip Call In W595

Model East.

The taste of the exotic Eastern end of the century


The rich heritage di arte giapponese ed orientale, raccolto in Giappone durante il periodo Meiji da Edoardo Chiossone è ora esposto nella Villetta Di Negro.
Il museo ospita opere giapponesi di varie epoche: pittura (dal XI al XIX sec.), armi e armature, smalti, ceramiche, lacche, porcellane, stampe policrome, strumenti musicali, maschere teatrali, costumi e tessuti, bronzistica, e una ricca collezione di grandi sculture del Giappone, della Cina e del Siam.





In January of 1870, Frederic Bazille began working in the toilet, an important work by the person vaguely exotic. The young painter had great hopes in this work, the Orientalist genre is very fashionable in Paris at the time. The choice of such a person makes him hope in admitting the Salon. But hopes of Bazille soon be disappointed: the jury agrees with surprise that he presented the second canvas _ Summer Scene (1869, Cambridge, Massachusetts, Fogg Art Museum), far more modern in the subject-but not the toilet. Perhaps, as the same suggests Bazille, convinced that the work has been forgotten and has not been subject to review by the jury, but perhaps it has paid the price of a style accents too "to Manet" and a free bill, so far away from the original painting orientalist array accademica.nella scene Bazille you can breathe little of the sensuality that permeates other works of a similar subject, including Renoir's Odalisque: is svelatamente this atmosphere that the general public seeking erotic paintings in Eastern Europe, which allows you to portray voluptuously beautiful naked lying between rich fabrics sumptuous decorations and colors, without any cause for scandal.

1870 -
of Washington National Gallery of Art.
The popular imagination has now adopted the idea of \u200b\u200ban East magical, seductive and erotic, filled with disturbing odalisques, eunuchs and caliphs. Much of the success of the "oriental dream" is due to the spread of the tales, The Thousand and One Nights, Sheherazade of that in the late eighteenth century, widely known throughout Europe. Many ignored the power of many spiritual steps to strike the imagination of Western man are mainly accents svelatamente erotic.


Women of Algiers in their apartment.
1834. Oil on canvas. cm. X2 1.80, 29.
Paris, Louvre
Eugène Delacroix, after harshly judged those painters who felt the need for a trip to the East, preaching to find inspiration at home, will leave for Morocco and will be seduced. His paintings on the theme Return used to manage a full atmosphere Eastern images are solved with great skill, deeply evocative, sensual but not erotic, fascinating. - Its Women of Algiers are the antipodes of the beautiful odalisques of Ingres, the linear classical purity, the exercise of formal perfection and best example of the academic vocation.

In 1832, on the way back from a diplomatic mission to which he belonged, Eugene Delacroix, visiting Tangier and Algiers, here with a Poirel, an engineer of the port, to succeed in the greatest secrecy gain access to the harem of a captain. "After some leads through dark corridors, you enter in the house that is reserved to him, the eye is dazzled by bright light, the fresh faces of women and children, suddenly appearing in front of a pile silk and gold "Delacroix, immediately takes notes, draws sketches in a notebook now in the Louvre and note details and feelings of emotional and spiritual quell'immersione lived in the harem, which then reconstructs the atelier in Paris, by posing models dressed in the fashion of Algeria.

The painter carefully reproduced in this painting, styles and accessories. At the center of the composition, next to the hookah, there is a small brazier almost off the walls a Venetian-style mirror and right panel in ceramic white and blue with a dedication to Allah on the bottom, leaving the door half-closed guess other hidden places of the house. Finally, the slippers of red cloth on top, insert the key all the power
expression of a simple yet full of intimacy, if dresses and jewelry for women, together their serene expression suggests a quiet sensuality. The work marks an almost magical East, wriggling and overwhelming from the voluptuous vision of previous years.




Guillaumet Gustave Le Sahara (1767, Paris, Musèee d'Orsay)

The subject is not limited only to the Orientalist scenes of life in the harem.
In the halls of official exhibitions multiply the paintings that tell of endless deserts, to camps in the Sahara or cudeltà mori.Emblematica of the canvas at the show Gullaumet Gustave-Le-Sahara
A deeply realistic painting of a camel carcass abandoned in a desolate stretch of sand, sun, the artist manages to evoke the idea of \u200b\u200bdeath in all its horror


Eugene Fromentin
Le pays de la soif 1869
Musee d ' Orsay, Paris, France
Eugene Fromentin, tells how the desert traps and kills a group of viaggiatori.Ma the East is to withdraw from most formidable Herri Regnault - Execution without trial under the Moorish Kings of Granada


Herri Regnault
Execution under the Moorish king of Granada, 1870, Musée d'Orsay

monumental work (302 X 146) which emphasizes the large force and brutality of the subject. The refinement and luxury of Moorish architecture, suggested by the refined contrasts with the image of the artist panel terrible execution, in a crescendo of tension, which reached its height in decapidata head that rolls from the steps, tintengiandoli blood.

Regnault open a point of view and in Tangier, where he painted original works and intense, that always arouse a sensation at the Salon. The premature death on the battlefields of the Franco-Prussian War, will contribute to the emergence of a real myth around the figure of the artist.




Japan between phenomenon and fashion

Katsushika Hokusai Katsushika Hokusai
and 'the most' famous painter and Japanese woodcuts, considered the most 'high school named artist of the Ukiyo-e, and, by Hiroshige, the ultimate interpreter of the season' Japanese high engraving. And 'maybe l'artista non solo giapponese, ma asiatico piu' conosciuto nel mondo: Edmond de Goncourt gli dedico' un'ampia e dettagliata monografia gia' nel 1896.


Il  lungo isolamento del Giappone si interruppe nel 1853, quando una squadra della marina americana agli ordini del comandante Mattehew Perry penetra nella baia nell'antica citta di Edo (l'odierna Tokio), violando gli editti dello ahogun che negavano l'ingresso degli stranieri nei porti giapponesi.

Negli anni che precedono il 1853 soltanto l'Olanda, sfruttando l'eccezionale autorizazione concessa dalla Compagnia delle Indie Orientali, aveva potuto avvicinarsi alla produzione artistica e artigianale del Giappone: una possibilità che non esita a rendere pubblica nelle sale delle esposizioni di Dublino e New York, entrambe nel 1853.Anche a Parigi, due anni dopo l'Olanda punterà molto sui manufatti giapponesi, presentando in mostra mobili laccati, porcellane e vasi di rame smaltato L'esposizione genera un'ondata di curiosità verso l'arte giapponese, che indurrà molti mercanti ad aprire negozi specializzati.


James McNeill Whistler
Stanza dei pavoni (1876-1877 Washington, freer Art gallery)


particolare della - Stanza dei pavoni-
La tela protagonista della stanza è una delle opere che meglio testimoniano l'approccio all'universo nipponico da parte dell'artista americano. Splendide giovani dalle fisionomie occidentali vestono abiti da geisha, posando in ambienti colmi di japonaiseries. il pavimento, il tappeto, il ventaglio, le stoffe del chimono evocano un Giappone seducente e raffinatissimo, quanto superficiale e immaginario.La stanza decorata da Whistler nel 1876 per il palzzo  Frederich Lejland,  per una  rottura tra i due viene smontata and stored after each step, in Washington - is one of the most extraordinary manifestations of the taste of Japan in the application design and fine arts.


to Atake "by Hiroshige , 1857-The garden of plum trees in Kameido" of Van Gogh, 1887
The Van Gogh's work with the Japanese art is very intense and repeatedly stressed in his writings: "All my work is based on giapponeria," he wrote to his brother Theo.nella GGH collect his short life, Van more than four hundred prints Eastern, all works of the great Japanese masters .. In works dated 1887, where the artist chooses color ranges limited to a few very bright colors - especially yellow and red -
addition to an aesthetic model and formal, Japan accounts for Van Gogh is also a social model. " Japanese artists often engaged in trade. " Van Gogh was always willing to swap paintings with other artists, in a spirit of brotherhood and cooperation among artists.


The queue outside the butcher
! 871-Baltimore-The Baltimore Museum of Art
Among the first to carefully study the examples of printed works, originating from Japan and Manet, which mediates the models Nipponese iconographic and stylistic suggestions for your graphics. It offers a beautiful testimony to the etching-tail in front of the butcher, I remember the attack in Paris. The construction of space and the simplification process which subjects the figures clearly descended from Hokusai Manga


in Japanese clothes Boston 1876 Museum of Fine Arts
Anche Claude Monet con una certa ironia traveste sua moglie da geisha, la ritrae davanti a una pioggia di di ventagli giapponesi.Il sorriso della bionda Camille, il suo suo atteggiamento sbarazzino. la bellezza del ricamo dell'abito e la scelta cromatica rendono l'opera una delle più alte incursioni di Monet nella pittura di figura.Monet acquista ad Anversa le prime incisioni giapponesi, che andranno a formare una collezione che arriverà a comprendere più di duecento esemplari firmati dai più famosi artisti giapponesi dell'ètà moderna



Van Gogh - Portrait of Pere Tanguy 1887-8
Paris Musée Rodin
The prints are all represented any actual or recognizable to the production of the great Japanese masters. On the left stands the courtesan Tuka, the cherry blossom in the top right-which will offer important insights to the brush of Van Gogh, the artist has a passion for Japanese culture, this is certainly the reason that not only him to enter a series of prints of the portrait of oriental background but also to manage the entire composition and simplifying its formal art nipponica The figure, carved in color, the man in the foreground participates in the atmosphere Proposed from the press behind him. At the top stands the silhouette of Mount Fuji, which symbolically above the head of the protagonist, almost crowning.



Obsession


pierce the mind astonished

words.

Dig
blades

the meat moist.


tears dripping from the sky

heavy.

Pulsa
in the chest

forgotten instrument. Silent Scream




in deafening silence.

Obsession
me in greenhouse
impalpable
turns.

Obsession
you

not let me.

Friday, April 9, 2010

Old Subwoofer New Receiver

NO WORK

AMSA SUBMITTED THE DRAFT FOR INCINERATOR AT THE BORDER WITH OUR COUNTRY, ALONG WITH THE PRISON. PREPARE FOR THE MOBILIZATION
incinerator SAY NO TO THE GATES OF OPERA!

Monday, April 5, 2010

The Most Powerful And Smallest Binoculars

art scene SPANISH


Fra Tradizioni e Modernità



[venerd_3_luglio_2009_rosy.jpg]


Immagini reperite dalla rete.

 Notizie  dal libro, 

La Storia dell'Arte



Facciata principale del Museo
del Prado, con la statua di Velázquez.

 
 Ritratto di   Isabella II di Spagna
...........
Nel lungo regno di Isabella II, la Spagna cerca lentamente la strada verso la modernità, in favore di un'organizzazione politica, economica e sociale.
Dal punto di vista artistico, la Spagna presenta uno scenario frazionato e instabile, che vede dialogare personalità diverse, che caratterizza anche the art scene of the other countries of Europe-




The variety of Spain emerges especially in the historical genre. The Testament of Isabella Catholic (1864, Museo del Prado) Rosales Gallinas Eduardo is a masterpiece of history painting in Spain in time. The work, full of references to the great tradition of the Iberian conquest to France, where he was awarded a gold medal and the legion of honor by order of Napoleon III.Rosales Gallinas, perderà il favore della critica quando si aventurerà  in scelte stilistiche più moderne, come nel caso del suo - Episodio dalla battaglia di Tetuàn.
 

                      

Eduardo Rosales Gallinas
Episodio dalla battaglia di Tetuàn.
1868, Madrid, Museo del Prado.
.........
La tela narra la sconfitta delle truppe napoleoniche da parte degli spagnoli, justifies the high-flying style of the whole; ritrarreuniformi and faithful in the faces of the protagonists, the artist cites Velazquez and tradition, without knowing the make valuable suggestions that, in those years know how to get a "foreigner" as Edouard Manet.
Rich and the production of genre paintings, especially of scenes that illustrate local traditions, even romantic flavor It is a good example of the procession in Seville Copus Christ Manuel Cabral y Beiarano.


The procession of Corpus Christi in Seville
1857, Madrid, Museo del Prado.
The artist paginate a composition rich in detail, imbued with light, built on a solid cage perspective: the precision in reproducing the particular individual and the static attitudes of the characters portrayed are the virtues and the limits of the works of this type. Manuel Cabral y, is not the only exponent of this genre of painting: it is sufficient to observe before the bullfight Manuel Castellano.


Before the bullfight-1853. Madrid. Museo del Prado
A painting lively, but not vivid account of an important time of the English tradition.






Mariano Fortuny Idyll,
1868 Madrid Museo del Prado
.....
The protagonist, at least from the perspective of the economic success of the English scene of the late nineteenth and Mariano Fortuny, an artist whose fame goes beyond the borders of country to gather a large following in the rest of Europe. Educated in Barcelona, \u200b\u200bdeepen their studies in Italy. A trip to Africa, funded by Diputatiòn Barcelonesa who commissioned some episodes of the war in Morocco, opens the doors of the east, bringing it close to the taste for the exotic atmosphere of tempo.Fortuny very common in Europe, creates a unique stylistic and successful, which is in the works neurococò of eighteenth-century setting and scenes of his taste orientalista.Le paintings of the seventies have a freedom of brushwork and a sensitivity to light since, who think themselves herald a phase impressionist.


The children of Japanese artist living in
about 1874, Madrid, Museo del Prado.
The protagonist, at least from the perspective of the economic success of the English scene of the late nineteenth and Mariano Fortuny, an artist whose fame goes beyond the borders of country to gather a large following in the rest of Europe. Educated in Barcelona, \u200b\u200bdeepen their studies in Italy. A trip to Africa, funded by Diputatiòn Barcelonesa who commissioned some episodes of the war in Morocco, opens the doors of the east, bringing it close to the taste for the exotic atmosphere of tempo.Fortuny very common in Europe, creates a stylistic unique and successful, which is in the works of setting eighteenth neurococò and in the scenes of taste orientalista.Le his paintings of the seventies have a freedom of brushwork and a sensitivity to light since, who think themselves herald a phase Impressionist




The way of Impressionism.
The extraordinary novelty of French soil are collected only by Hispanic artists. In particular
Beruete y Moret Aurelio De ,  Dario Regoyos ,e  Joaquin Sorolla Bastida   sembrano essere i tre pittori che meglio hanno compreso la lezione del gruppo parigino.
           .....
Il Prato di Sant'Isdro
.....
Aureliamo de Beruete y Moret, specializzato nella pittura di paesaggio, è the first Spaniard to take an interest in the impressionist technique, while preserving the memory of the work of fellow countryman Francisco Goya, he demonstrates that he studied carefully in paintings such as The Meadow Sant'Isdro. His paintings are located in the early twentieth century and offer an interesting, albeit late, reworking Impressionism and English tradition.

Regoyos is a friend of the composer Albeniz - whose aesthetic. highly innovative, affects the shape of the artist - and he moved with him in Brussels. A contact with the Belgian group of XX, knows the European avant-garde painting and includes new features. But on his return to Spain to mark a more substantial shift to a painting of Impressionism impressionista.Un array closer to that of the second generation of the French (Rainbow, 1990 Museo de Bellas Artes) is measured with the stroke already fractional pointillist and if one part recalls Monet and the latest research, little impressionist, the late Renoir, Espressionimismo The other is a hopeful sign.




And they say that fish is expensive!
1894 - Madrid-Prado Museum
.........
The third name of the so-called triad English impressionist painting of the century has different carattersiche:
Sorolla is a talented artist, whose style can hardly be categorized under the label of Impressionism.
Well known in the United States, gets a huge hit overseas as early as 1909, when an exhibition
New York beats all records of attendance. After a debut featuring the works subject to social
solved with realistic style, like-They say that fish is expensive! - Sorolla are attracted by a freer brushstrokes and bright, although
impressionista.Sorolla never fully reaches its top quality works in tidal areas, such as interesting, but very late, Children on the Beach (1910, Madrid, Museo del Prado), in which Sorolla has a copy of his essay masterful poetry of light in the representation of the movement of waves and reflections of bodies lying on the water and the shore - Beach of Valencia in the light AM 1908 - New York, Hispannic Society of America.





HAIRED GIRL BEAUTIFUL BLACKS

The beautiful girl haired blacks
is there on the grass and talk and play in the sun.
I know those games and I know those words
laugh that laugh and I think those thoughts.
Am I the girl haired blacks.

And also I see a brunette girl,
dreamy eyes at the night sky physis.
How many visions and many havens
in her eyes! You remember them, or Luna,
febe girl's brown eyes?

Now she's tired, put down the pen here.
man and press on the black lashes.
How many dreams and many springs
saw immaculate touch the roses?
Now she's tired, put down the pen here.