Sunday, March 28, 2010

Schwinn Airdyne Speedometer Cable

SOLOIMMAGINI a Happy Easter






























































































Di notte i pensieri
sono sempre più forti:
nel buio tutto tace,
tranne la mia anima
Nella notte ritrovo
quella parte di me
che io soltanto conosco,
non ha importanza
se essa è dolorosa:
è nel dolore che
mi sono formata.
@
Mio Dio, molte volte
I ask myself and I ask myself questions
and in your silence I lose my
@
With imagination
paint your face:
to strengthen my faith
convinced myself that if do not answer,
is because you are still angry
for the cross that we gave you
and so resigned,
your embrace and my
@
Maria Rosaria Di Lella

Sunday, March 21, 2010

Manzanita Trees In Northern Arizona

heterophile


Dai dati resi noti recentemente dall’Osservatorio Turistico-Alberghiero della Federalberghi relativi all’anno 2009 da poco conclusosi si apprende fra l’altro che, mentre i pernottamenti di turisti stranieri negli alberghi del nostro Paese, nell’anno preso in considerazione, hanno registrato un discreto e incoraggiante aumento, i pernottamenti di turisti italiani hanno registrato invece un calo piuttosto rilevante, per non dire disastroso.

As a possible root cause of this unexpectedly defection of the Italian tourists from the hotels of our house by several parties have indicated the high and low competitive prices of the latter for the pockets of Italians. But, in my humble opinion, I find that this is not true - or, if it is, is only partly true - and that the origin of this defection, there is the ingrained xenophilia first of many Italians.

During the period covered by Federalberghi, in fact, the Italians, even though, strictly speaking, have less money due to the adverse economic situation, to spend on travel and vacations, have not, however, withdrawn or not to travel or to go on holiday. Only they, by those who have become incurable heterophile - fearing a serious illness as the definition of provincial - to the many, beautiful and sometimes local economies in which teems Peninsula have our favorite by far, in their vast majority, some remote exotic locales, very well known and publicized a bit 'at all. And not at all, mind you, to save money. Because, contrary to popular belief, these locations, in terms of overall spending, resulting invariably in the end far from favorable economic and, Whereas, the cost of living - even though relatively competitive - you should always add the cost, not at all negligible, the air travel required to reach them (ENZO PEDROCCHI)


I get the impression sometimes that many Italians, Judging from their speeches and their behavior, are convinced that the money needed to meet the diverse needs of an advanced and civilized country such as ours grow on trees, by a miracle of a saint, rather than the income generated from its quite a few resources, which will obviously be much more active as the latter will be exploited, used and safeguarded. And not, as purtroppo molto più spesso di quanto non si creda, stoltamente svalutate, sprecate e affossate da una inadeguata amministrazione di esse o, peggio ancora, dall’ indifferenza e la noncuranza più totali nei loro confronti da parte un po' di tutti.

Un esempio, fra i tanti che potrei fare in proposito, può essere rappresentato dalle imminenti vacanze pasquali, che, manco a dirlo, non pochi nostri connazionali si accingono a trascorrere all’estero, affatto incuranti di poter aggravare ulteriormente, così facendo, la crisi che l’Italia sta da tempo attraversando in uno dei settori più vitali della sua economia, qual è indubitabilmente quello turistico. Mentre va da sé che se them, in that circumstance, they responsibly choose to spend their vacations in some places of the peninsula, they would certainly have at least partially mitigate this crisis with clear advantages, but also for our tourism industry, for the whole country (ENZO PEDROCCHI)

Sunday, March 14, 2010

Green S903 Alprazolam

CHILDREN AN OLD OLIVE

Distant Voices carried by the wind,
shouted to the sky before an ancient olive tree,
witness to this time, this time each
while leaving the air,
a trail of light that shakes our conscience.
No one can tell by those tears,
paid for humanity.
listen to that voice that tells us
never leave this life,
this life that has always won joys and sorrows.
sing a new day is born, before this Cross
chiniamoci,
strengthen our faith
one day we need it.
people pray in front of an ancient olive tree,
witnessed a pain that did not belong,
of a pain given by 'love for his children.
Think of the tears, so have a feeling your pain. This applies to life
that sometimes eludes us.
Rejoice in the love that never claimed anything in return.
This applies to the life that we sometimes describe things that are not such
think those tears so your pain will make sense. This applies to life
distant and elusive that takes us surrounds us, and as a passion
disturbing tells us that death is near,
think that maybe that's her mother that hampers our intentions,
dictated by conscience evil.

Wednesday, March 10, 2010

Progression Of A Allergic Rash

The Russian Art in the Tsar






La pittura russa nella seconda metà dell'Ottocento

Come in altre nazioni europee, anche nella scena artistica russa della seconda metà dell'ottocento si affermarono due schieramenti opposti:il Realismo e l'Accademia.Seguendo l'esempio di altre scuole pittoriche, anche la Russia conosce la sua stagione realista. I pittori realisti cercano di rinnovare alla radice il linguaggio artistico, introducendo la grammatica del vero anche nei soggetti di storia antica o di matrice classica:modalità che avvicina la scena russa a quelle di molte altre realtà occidentali, a partire dalla Francia.
Ma il realismo russo trova la propria peculiarità , nel vincolo strettissimo che lega le scelte artistic experiences to the policy "for those deprived of their civil liberties", the literature is the only platform from which to utter the cries of his conscience. "In literature, this is the time, extraordinary, to writers like Tolstoy, Turgenev, Dostoevdkij, who had the merit of finding the right balance between "ethics" and "aesthetics", composing works of sublime beauty "The real talent, if possible, two backs," Tolstoy says, "One is the ethics and the other is aesthetics.
If ethics is too high in aesthetics is too low, the talent is lame '. It is precisely this balance, the result of genius and an in-depth technical knowledge, lacking, however, the majority of the painters of the time, whose ambitions are often not supported by sufficient talent.
Compared to those, high, literature, therefore, the results of the painting are a few exceptions, most modest

The center Moscow is the most advanced, most up to date with respect to S. Petersburg, thanks to the wealth, the modernity of the events offered by the city's theaters and more open-minded middle-class merchant who enlivens the cultural life.
protagonist in Moscow in mid-century and significant example to understand the stylistic choices of most painters of the time is Vasillij Perov. Perov favors contenuto a discapito della forma rielaborando cifre pittoriche già in voga negli anni precedenti e piegandole alle ragioni di un'opera dai forti contenuti sociali. Le sue tele dipinte negli anni sessanta danno voce ai più deboli E' il caso di processione di pasqua al villaggio.

Vasillij Perov
Processione di Pasqua al villaggio
1861-Mosca Galleria Tret'jakov
Canvas censored for content, expressed, inter alia, with a realism so immediate as to leave no room for any misunderstanding. Perov realist style is a means by which to reach their goal: the social commentary. The art of Perov will run out very soon, will include news of new generations and will be shut in a genre painting of the anecdotal flavor ...

Vasillij Perov
Portrait of Dostoevsky-1872-Moscow Tretyakov Gallery
good level ... still, however, are on portraits, famous that of Dostoyevsky, deep in thought, whose form emerges from the background with extraordinary intensity monochromatic works



A Pub
Solomatkin Leonid Ivanovich (1837-1883)
Museum: Tretyakov Gallery
Vendor: Bridgeman Art Library

scene in Moscow, one figure appears to carve out its own autonomous space
and original, adhering to the same themes of his colleagues but in different ways: Leonid Solomatkin, missing in the work of this painter formed between Moscow and Saint- Petersburg, without leaving to complete his academic studies - the social commitment of the other artists tempo.Solomatkin portrays the people, but it only does so with the intention to portray contemporary society, refraining from stylistic references your opinion are: are the popular prints and paintings of tradizione.Distrutto alcoholism, Solomatkin burn their talents and their lives in the slums Moscow, trying to survive on the meager income from the sale of his paintings, purchased by a public love the mocking tone and mocking
with which he portrays the contemporary society. Solomatkinè born in 1837, was orphaned shortly after. In his youth he worked as a shepherd and later as a teamster homeless, selling religious icons.
Thanks to an internship that he won, he began to work as a painter. Solomatkin was a great painter, but short-lived. In 1860, he retired and stopped and was forgotten. Works


The "street"
In 1869 Grigory Mjasoedov proposed, expressing a widespread need for the creation of painters,
united by the same spirit rebels against the Academy and to a certain type of society
The idea now collects a broad consensus: the company is a member most of the best talents of the time, from
Perov, a Nikolai Ge, a Ivan krasmkoj . While not publish a detailed plan, the association
- chose the name "Society for the traveling exhibition of art" - is now but a few very specific rules: the proceeds of the sale go to the artist and the work company retains the proceeds of tickets Entrance to the exhibition.
The need for freedom of the hawkers are not married but in a real stylistic range of the group member. The company promotes a painting attentive to the specific national
populist and realist style.
alla'avanguardia ideological support from the intellectuals of the time, the peddlers soon enter into a more complex project involving literature, theater, art

Among the supporters of the group of vendors will Pavel Tretyakov was one of the first great collectors interested in the proposals from the national territory, whose work as a patron should be the core of today's collection of the most important art gallery in Moscow. The Tretyakov Gallery




Nikolai Ge, The Last Supper, 1863, oil on canvas,
293x382. St. Petersburg Museo Russo.
Nikolaj Ge, formatosi a San Pietroburgo ma perfezionatesi in Italia, dove giunge come pensionnier dell'Accademia. La sua prima opera di un certo rilievo è L'Ultima cena, dove Ge, cerca un nuovo taglio narrativo per una delle scene più frequentate dell'iconografie religiose, ritraendo Giuda che si allontana nell'ombra, dal cenacolo Ge è maestro nell'impostare una scena teatrale, nella quale le diverse psicologie degli apostoli e la ieratica serenità di Cristo emergono con forza

Pietro I interroga lo Zarevič Alessio a Peterhof,
history painting by Nikolai Ge, 1871,
Tretyakov Gallery, Moscow
masterpiece of the period, an extensive work full of consequences for the younger generations is an essential step in defining the historical period in Russia. The painting depicts a real face-off between their old and new Russia, represented by the figures of the former tsar and his son, he does not hesitate to put to death for the following reasons of state. Using all the tricks cleverly stage of historical drama - the representation of the room where the confrontation took place at the characterization psychological analysis of the two main characters, a clever light that illuminates the characters on stage as a theater
Ge, with this painting, it will raise more than one question on the burning issues so far today: the good state , Justice supreme duty. And 'the last major canvas painted by Ge in this decade: the beginning of a crisis that led him to retire from the scene for a few years, fleeing the countryside in Ukraine.
Nicolay Ge, Golgi-
1893 Moscow, Tretyakov Gallery

should wait until the eighties, when it will be progressively less influence of the group of street vendors, to find the creativity of his early works.
Accomplice thought and personality of Lev Tolstoy, Nikolay Ge, reflected the desire to paint and groped new stylistic figures. It is, for the most part, works on religious subjects, painted with a mature style and full.
the Golgi by an astonishing modernity, where Christ is portrayed few moments before stepping on the cross. accompanied by two thieves, and the whole figure of the Saviour, who brings her hands to the face in a moment of human despair is drawn in color, drawn with great freedom, which sometimes reveal brushstrokes in the background. On the face of terrible evil thief, who grinds his teeth in an expression of evil, is opposed to that, sad but serene, the repentant thief, who, staring into space, already seems to feel his salvation.

IIja Repin
on all the artists mentioned so far and many representatives of painting di genere, tanto diffusa nella seconda metà del secolo, si eleva la figura di IIja Repin, con Vasilij Surikov il più importante pittore russo dell'epoca. Nato nel 1844, figlio di un soldato semplice, Repin passa l'infanzia nella miseria Dopo aver ricevuto, in gioventù,qualche lezione di icone, si trasferisce a San Pietroburgo, dove si iscrive all'accadedemia di belle Arti.
Il rapporto di Repin con il mondo accademico è, e sarà complesso e sfaccettato: interessato alla pittura della realtà e al lavoro degli ambulanti (cui è molto vicino), egli sa trarre dall'Accademia preziosi spunti su cui riflettere, approdando a una rivisitazione della lezione accademica in chiave realistica.


Repin shows a realistic trend that since its first paintings of a certain weight, as this beautiful painting, The Raising of Jairus' daughter, 1871, Russian State Museum, which is obtaining the license academic, a gold medal and a scholarship, allowing him to update a work abroad
beautifully resolved and highly original, though it fits in the academic tradition of history painting
religiosa.Il play of light and shadows, the balance between dramatic action and doctrinal significance of the event, the wise use of line and color bear witness to the artistic stature Repin.
Before leaving for the trip by another study concludes Repin capital of its production, the Volga Boatmen

IIja Repin,
St. Petersburg State Russian Museum.
masterpieces of Repin, is one of the key moments in the evolution of genre painting and the realistic style in Russia. Exhibited no definite version in 1871, then the picture will undergo many changes, designed to make the scene more believable and detailed.
The initial idea for this composition is to Repin as early as 1868, during a walk along the shore of Neva.Dapprima represented in a more superficial, emphasizing especially their conditions of exploitation, the boatmen take on an appearance more and more precise and credible as the artist proceeds in the execution of the work. To fully understand the lives, Repin, observing them at work and in their daily lives, discovering the strength, dignity and inner beauty
The reading of this painting and a great realism, the faces are portraits, paying attention to the expression and context of each individual worker. Each of them is chosen to symbolize metaphorically uno status sociale ma al contempo risponde a una precisa identità individuale. In una sequenza che mette in luce le diverse etnie, nazionalità, classi sociali ed età che compongono il variegato mondo del lavoro. Opere





Vasilij Surikov
L'idea di riflettere sulla condizione  storica della Russia contemporanea mediante l'analisi di episodi cardine della storia passata avvicina Surikov al pensiero di molti intellettuali del tempo tra cui Lev Tolstoj.
Nasce cosi il più celebre terzetto di quadri dell'artista, una sort of trilogy about Russian history made
- On the morning of execution, Mens'ikov in exile and the boyars Monzova


the first ply of trilogy. On the morning of the execution Strll'ej, illustrates a very dramatic moment of seventeenth-century Russian history: the Strll'ej were the soldiers of Ivan the Terrible, who rose in 1698 paying with their extermination act rivoluzionario.Surikov portrays them just moments before his death, when, transported to the place of execution on the wagons, they wait their turn, clutching a candle and expressing, each in its own way, all the tension of the moment
the background is the majestic St. Basil's stands on a uniform gray sky . On the right the imposing figure of Tsar Peter, who, pursuing the good of Russia, has caused a tragedy to assist in cold and ruthless. The
contrasts with the strength and dignity of the faces of Strll'ej, that still does not cease to fight and oppose the power of the tsar, although reduced in chains and are about to be led to death.
Here, two later, Mens'kov, in exile in Berezovo.

Vasily Surikov
Menshikov to Berezovo in exile in Berenzov
1833 Moscow, Gallery Tret, Yakov.
This painting is a tribute to the imperial chancellor and protected from Peter the Great, who after the death of the Emperor, had, in fact, ruled the Russia.Condannato exile in Siberia in 1727, Menshikov you will die: the very last days of this character to attract Surikov depicting man in his small isba in the company of figli.Surikv is a master at mapping individual personality, investigations into his psyche: his eye focuses on the figure of the daughter in the foreground, wrapped in a black fur that contrasts with the pale face, which betrays his health unstable, and its fragility in the same way the artist recorded his profile the protagonist, who has lost his freedom, the benefit of the country but not their dignity and so on in a crescendo of tension, which is attenuated in the languid pose of the child engaged in reading the Bible, which raises the figure imbued with light overall tone of the scene, giving it breath.
While executing this painting, Surikov is already thinking about a new work, much more complex edinamica in composition: The Boyars Morozova, a true culmination of the trilogy, completed in 1887.

High resolution image
Vasily Surikov The boyars Morozova-
1887 - Moscow-Tret Gallery, Yakov
This material separates from the first idea 'final execution of the work a long stay abroad, which brings the artist in Germany, France and Italy in the footsteps of the great masters of the sixteenth century, particularly those of the Venetian area, Titian, Veronese, Tintoretto, Michelangelo, but also and Velasquez.
Even this painting is a bitter reflection on the laws of history, which too often do not meet the needs of individuals and people comune.Surikov, Again tells the epic tragedy accents, the consequences of their actions, the protagonist is brought in chains to the scaffold: his religious impulse does not fail, indeed, seems to light up more when the sentence. Eyes wide open, the gesture of the hand that draws the sign of the cross (with two fingers and not three as he wanted to reform which is strongly opposed), the state of ecstatic madness in which she appears to have attract the ' attention of a varied crowd, made up of different characters in this masterpiece, the artist offers a slice of life daily at the same time real and imaginary, by tracing the choral portrait of a people. The crowd-a-compact since it seems unlikely to hinder the passage of the slide, following the path in one colorful corteo.Attento the overview Surikov not lose sight of the individual identities on which, pauses carefully. Works







Valentin Serov Serov

and perhaps the most famous exponent of the Russian painting impressionist and scope while
a major player in the passage of painting Soviet Union. Lived at the turn of the century (born in 1885 died in 1911, when Avaguardie have given much of their shocking news) Serov, with his brush brought a breath of lightness and joy in Russian realist landscape painting. (I want, I want to paint only the joy and the joy) Among his pictures of the girl-figure stands with peach-



Valentin Serov girl with peach-
1887 - Moscow Gallery Trt, Yakov
Portrait of Vera, twelve year old daughter of magnate of railways and well-known patron. The witnesses on canvas full of joyous vein Serov. The scene is lively and spontaneous "what I got was the freshness, the artist explains" the freshness that you feel very special in nature, but not in painting. "More than the French Impressionists, which does not yet enough, Serov draws lessons from his teacher Repin, which gives good pointers. Staff, however, very convincing because the final work is supported by a masterly use of light (which affects the back of the girl by wrapping the figure and vibrate the colors) and the color combinations is also interesting layout, with the diagonal line of table that intersects with the vertical walls and windows. Works




FALL
Fall
Golden dwelling
Nature.
forest trails
Spanning lakes
Like tender lovers.
Tigli no more smelly
maples and yellow converse
With ash and elms
In livery
of fuzzy
gilding.
Fall
Earth buried
Under a cloak
of red leaves
What crackle
at every step.
Fall
Where dawn
Greet trees
And the sunset leaves
on their skin
A glare of gold.
Fall
Old Attic
clothes and old books
Where Winter
start browsing
Her diaphanous pages.